Radha Mohan 11th August 2025 Written Update Zeeworld
Yug storms into the office, fury in his eyes, and demands to know why a certain man is here. The receptionist calmly explains that the man claimed to be their neighbor. Without warning, Yug grabs a rod and strikes Mohan from behind, knocking him unconscious. But a little earlier, Radhika is caught in a storm of emotions. She reflects on how Yug has given her acceptance and fatherly love to her son, Manan. On the other hand, there’s Mohan—the real father—who has somehow re-entered Manan’s life without knowing the truth. Radhika never imagined she’d see him again after pushing him so far away. Yet fate has brought him close to Manan again, forming a strange, unexpected bond between them. Mohan is equally troubled. He can’t stop thinking about his connection to Manan. Why did he feel so drawn to this child? Why did he care for him at the temple, teach him how to ride a bicycle, and even risk his own life to protect him? What is this invisible thread pulling him toward Manan and his mother?
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Downcast and conflicted, Radhika sits on the floor and turns to Ba Kai Bihari jee in prayer. With tears in her eyes, she asks why life is forcing her to keep her son away from his father. But she quickly composes herself. She won’t allow the truth to surface. Mohan must never know that Manan is his son. He must not return into their lives. If he does, everything will fall apart. Determined, she vows to keep the secret buried. No one will find out that Radhika is actually Radha, or that her son is Mohan’s child. Meanwhile, Mohan feels like he’s losing his mind. He scolds himself for entertaining such strange thoughts. Meera had warned him—Radha belongs to someone else now, and he’s becoming a man of questionable character. To distract himself, he turns on the radio, hoping music will quiet his thoughts.
Elsewhere, Punam confronts Yug. She pleads with him not to harm Manan, reminding him that if anything happens to the child, Radhika’s entire world will shatter. But Yug, cold and calculating, reveals his twisted plan. He tells her that after Manan’s death, Radhika will grieve for six to eight months—but then, she’ll want another child. And he’ll be the one to give her that. He’s waited seven years and can wait a few more months. He grins as he says that soon, Punam will become a grandmother again—this time to a child that is truly his.
Punam is horrified. She warns him not to even think about hurting Manan. To her, the boy is her grandson, blood or not. But Yug turns cold. He warns her not to interfere—if she does, he might forget she’s his mother. He promises not to kill her, but makes it clear she’s crossed a line. With that, he walks away. Standing on the balcony, he notices Radhika still sitting in her car and wonders why she’s late—she’s never late. Suspicion creeps in. What’s going on in her mind? Mohan listens to a voice on the radio—it’s Radhika. The sound strikes a deep chord. Meera enters and teasingly points out that he’s listening to Radhika Kholi’s show. Mohan is stunned. He’d tuned in randomly, but Meera insists there’s clearly a connection. Her words make Mohan reflect on his past with Radha—the confessions, the love, the heartbreak.
Confused and emotional, Mohan gets in his car. He keeps thinking about Radhika—how she avoids eye contact, how Gungun was upset with her for sending him flowers, and how Radhika got hurt that day. Everything feels strange. He recalls Gungun’s reluctance to move into the house and how Radhika slapped her and then hurt herself. The feeling grows stronger: could Radhika actually be his Radha? The sense is so powerful he can’t ignore it. He turns the radio on again, and once more, it’s her show. As Radhika invites listeners to call in and share what’s on their hearts, Mohan dials in. She asks who’s calling. He realizes that if he speaks in his real voice, she’ll recognize him and run again. So he disguises his tone and says he’s been listening for seven years. But Radhika catches the lie—her show only began four years ago. He brushes it off and asks if he can ask her a question. She teases him for turning the tables on her own show. But he presses on.
He asks if broken relationships can ever be fixed. Radhika, remembering her grandmother’s wisdom, replies gently but firmly. Some things, she says, are better left broken, because trying to hold onto them only brings pain—either to the hands or the heart. Mohan quietly praises her mature outlook but admits he’s old-fashioned. There was once a girl in his life who believed nothing was beyond repair—neither things nor relationships. Radhika, clearly emotional, says that girl must be in pain now. Wounds that never heal only fester, and perhaps that girl is now thinking she should have let go of the one who caused them. Mohan apologizes for asking the wrong question… and in a slip, calls her Radha. He quickly corrects himself, but the damage is done. After ending the call, he breaks down. He’s sure now—Radhika is Radha. He vows not to let her hide anymore. He wants answers. At the same time, Yug senses something is off. Radhika is hiding something from him. He’s determined to find out what.
Mohan heads straight to the office and asks the receptionist to meet Radhika Kholi. She tells him he needs an appointment. Mohan insists—it’s about her son. He walks toward the studio and sees a woman doing the show. He calls her Radha. The woman turns, and Mohan is stunned—it’s not her. He apologizes, closes the door, and walks out, disappointed. But just then, Radhika emerges from behind a cabinet. She had realized Mohan was the caller. To keep him from learning the truth, she had asked Priya to act as Radhika for the show. She watches him leave and feels his presence in her very soul. But even though he’s close—so close—she won’t reveal herself. Their relationship is beyond repair. She hides as he stops for a moment, seemingly sensing something, but eventually he walks away again.
Yug arrives, angry and suspicious. The receptionist tries to stop him, but he brushes past her. Outside, he sees Mohan leaving and nearly loses his temper. He demands to know what Mohan is doing there. The receptionist tells him that Mohan said he was their neighbor and came to meet Radhika. Yug follows Mohan, brimming with rage. In his mind, he imagines grabbing a rod and striking Mohan unconscious—but it’s just a daydream. In reality, Yug greets Mohan calmly, asking why he’s here. Mohan says he came to meet Radhika. Yug plays it cool but questions their connection. Are they old friends? Mohan denies it. Yug doesn’t buy it. He senses Mohan is interested in Radhika and warns him—she is his wife and he loves her deeply. Mohan assures him that he has no bad intentions. He still loves his ex-wife, even if she’s moved on. There’s no space in his heart for anyone else.
Yug nods but then turns cold. He asks why Mohan doesn’t just fix things with his ex, instead of chasing after someone else’s wife. He warns Mohan that if he takes even a single step toward Radhika, he won’t like the consequences. Mohan replies calmly—he’s not going to give Yug a reason to get angry. Yug smiles tightly and calls him a gentleman before walking away. Back in the office, Yug storms toward the studio. Radhika sees him and immediately senses trouble. He bursts through the door. She asks what he’s doing there. He smiles and says he missed her. When she brushes it off as stress from work, he presses her—why was she late? She lies, saying she had calls to attend and had already informed the team about the delay.
Then, Radhika asks if Yug can pick Manan up from school. He agrees instantly, but inside, he’s thrilled. This is the opportunity he’s been waiting for. Today, he’s going to end the very reason for all the problems in his life. Today will be the last day Manan steps foot in school—or anywhere else. His twisted plan is finally coming together, and he’s overjoyed Radhika looks at Yug with hesitation and asks if he can help her with something. He raises an eyebrow and gently asks what it is. When she tells him that she needs him to pick Manan up from school, Yug immediately brushes it off as a small task. But inside, he feels a wave of relief. He smiles and tells her that she’s just made his life easier. For the past few days, he’s been thinking about how little time he’s spent with Manan, and now, finally, he gets the chance to fix that. He says that today, father and son will spend some real time together—because after today, Manan will be far away from his mother.
As Yug walks away, a dark thought crosses his mind. First, he’ll get rid of Manan. Then, he’ll deal with the Mohan situation. Meanwhile, Mohan walks toward his car, lost in his thoughts. His heart and mind both scream that the woman he met is Radha—but when he came to the studio, it wasn’t her. Or at least, that’s what he was led to believe. From afar, Radha silently begs him to stop searching for her. She tells herself that she’s moved on, and the closer he comes, the more pain he’ll endure. This life, she tells herself, isn’t meant for them to be together. Not anymore. As Mohan walks away, he glances up at a window. Behind it, Radhika slips back into her cabin, still watching him. Yug storms to the reception desk and demands to know how that man—Mohan—got into the office. The receptionist explains nervously that the man said he was a friend of Yug and needed to talk about Manan, so he let him in. Yug picks up a pen and stares at the receptionist with a strange smirk. He tells him to write the word “sorry,” because it’s time to learn how to truly apologize.
Back in the studio, Radhika begins her radio show again. She softly tells her listeners that she’s returned, and the next song is dedicated to those who have known heartbreak. After all, she says, music flows deepest when the heart is broken. She plays the song—but as it plays, she starts to cry. Her voice trembles. The pain of the past seeps into her heart. Mohan, still sitting in his car, is just as shaken. He can’t think straight. All he can see are memories of Radha—how she cared only for him, how she used to smile at the sound of his voice. Both Radhika and Mohan slam their hands down in frustration, and Radhika feels the sting in hers. She’s overwhelmed with memories: Mohan playing his flute for her, soothing her pain, being her strength. Softly, almost as if in prayer, she whispers his name: “Mohan jee.” Even though she’s far away, Mohan hears it in his soul and feels his worry deepen.
Meanwhile, Yug takes the receptionist aside. The man pleads for forgiveness, but Yug has something else in mind. He coldly asks if the receptionist knows why he’s brought him there. Then, without waiting for an answer, he says it’s to teach him a life lesson—never trust anyone. The receptionist begs, promising he’ll never do it again. Yug tells him this should’ve been taught at home. But now that life is teaching him, it’s going to hurt. He asks the receptionist to relax. Then he picks up a razor blade. The receptionist looks terrified and asks what’s happening. Yug tells him not to worry—he’s just going to cut his hair. He begins slicing off strands while the man apologizes frantically. But Yug, unbothered, silences him. He completely shaves the back of the receptionist’s head, leaving the word “SORRY” etched with hair.
Then, sitting coolly at his desk, Yug explains why he did it. He says the receptionist didn’t mean his apology—he was cursing him in his heart. That’s not how forgiveness works. He tosses a wad of cash at him, warning him that if even a whisper of what happened here gets out, the next cut won’t be in his hair—it’ll be at his neck. Yug orders him to smile. As Yug walks away, the receptionist collapses in front of the mirror, tears spilling down his cheeks. In her cabin, Radhika stares blankly ahead, lost in thought. She tells herself that in this life, she’ll never be able to be with Mohan jee. But maybe, in the next one. She prays that they won’t make the same mistakes again. That in another life, they’ll meet different people, walk different paths—and no one will come between them. In that world, she imagines, they will finally live together as a family—her, Mohan, Gungun, and Manan. At that moment, Yug is in the car, watching Manan from a distance. Manan looks around, confused. His mother promised she’d come pick him up. Why hasn’t she come? Did he do something wrong? Is she angry at him?
Yug watches the child playing with a dog and feels a sickening twist in his stomach. He tells himself that Manan is the villain in his story—the obstacle keeping him from getting close to Radhika. The guard nearby smiles as he sees Manan playing. He asks Manan about the dog’s name, and Manan cheerfully replies that the dog likes biscuits and snacks. But Yug doesn’t smile. He doesn’t even get out of the car. He stares, consumed by dark thoughts, trying to figure out how to kill Manan. He considers pouring hot oil on him, but the thought makes him pause. Manan is cute. No one would ever believe anyone could hurt a child like him. Still, Yug tells himself he must do it. He runs a whole business—surely he can come up with a way.
Back at the office, Radhika signs a few papers for an upcoming children’s event. The organizers tell her they’re doing it for the kids, and they’re grateful for her sponsorship. They mention that they’ve created a marketing plan to promote the event. But when Radhika sees the promotional poster, she’s stunned. Her face is printed on it.
She immediately protests. She tells them not to use her photo. The organizers argue that people love seeing her face—it draws attention. But Radhika insists. If they want a face, use Yug’s. If they can’t do that, she’ll pull her sponsorship. The organizers, now panicked, agree to make the change. Outside, Mohan sits in his car. A worker walks by carrying the poster of Radhika and Yug together. Mohan’s heart tightens. He wonders why his mind refuses to accept what he’s seeing. Why is Radhika’s voice exactly like Radha’s? His instincts scream that it’s her. He looks into the rearview mirror—and suddenly freezes. The poster is right behind him. Staring back at him is Radhika, standing beside Yug. He goes still. His world begins to spin. What he feared the most might actually be true.
