
Radha Mohan 8th August 2025 Written Update Zeeworld
Meera reminds Mohan sternly not to forget that Radhika is married, has a child, and more importantly—she’s their neighbor. At the same time, Radhika is walking through the house when she suddenly spots a shadow behind her. Her eyes land on a knife—and Kadambari. She immediately stops her in her tracks. Earlier, Radha confronted Ketki with a simmering rage, pointing to Kadambari in her wheelchair. She questions aloud why Kadambari’s truth hasn’t been exposed even after seven years. Has fate punished her, or is it Ba Kai Bihari’s doing? Ketki, stunned, asks why Radha is speaking so harshly to her mother. But Radha cuts her off, saying Ketki doesn’t truly know what she’s capable of. She declares that she’s done talking to people like Kadambari who only know how to spread poison. She warns Ketki not to speak to her disrespectfully again. They may be living under the same roof, but they’re not from the same world anymore. She says Ketki should know that Radha won’t tolerate any misbehavior from her—or from anyone else.
READ PREVIOUS UPDATE : Radha Mohan 7th August 2025 Written Update Zeeworld – Yug starts doubting Radhika deeply
With cold determination, Radha lightly pushes Kadambari’s wheelchair forward, causing it to roll on its own. Kadambari is shocked and helpless. Radha reminds them she didn’t chase them—they followed her to this city and moved into a house she owns. She says they’re the ones clinging to her life. Kadambari starts to panic and calls out to Ketki to stop arguing and help her instead. She cries out dramatically, saying she’s survived many injuries, but today she might die in such a pathetic way. The wheelchair rolls toward a corner, and Ketki screams out, but just before impact, it stops. Ketki rushes to her mother, shaken and full of regret. Kadambari scolds her, saying if she’d been more attentive, this wouldn’t have happened. Radha, calm but fierce, tells Ketki to open her eyes—sometimes things aren’t as they appear. She walks away, leaving the question hanging in the air: is this the truth, Kadambari Devi? Ketki seethes, swearing that this time, Radha won’t come near Mohan. She’s had enough.
Meanwhile, Yug is in a spiral. In a fit of rage, he grabs a framed photo and smashes it to the ground. He glares at Manan’s image, blaming him for everything going wrong. If Manan hadn’t reached out to Mohan, none of this would’ve happened. Yug says he can’t stand anyone touching his wife, and if Radhika ever told him that Mohan touched her, he’d lose control. He accuses her of going to Barsana not for rest—but to escape. He admits he thought being neighbors would bring them closer, but it’s done the opposite. Now she’s leaving for eight whole days. He falls into despair, saying he won’t survive that long without seeing her. But then he sits up, brushing off the panic. He vows not to die—because until he sees Radhika sleep in peace, he won’t rest either.
Mohan is with Meera, who jokes that she thought he wouldn’t return after shifting, but here he is, again drinking her coffee. Mohan teases that he’s gotten used to her terrible coffee. Meera, offended, tries to snatch the cup, but he holds on, grinning. He jokes that her coffee is bad—but not that bad. She tells him to go home, but he playfully refuses, saying he’s here just to irritate her. They tease each other, and when Meera asks what kind of relationship they have, Mohan says it’s like the sun and sweat. She laughs, calling it a terrible comparison. He then asks, “Do you think I’m hot?” She’s taken aback and asks why he’d say that. Mohan demands the truth, and Meera plays along—saying he’s handsome, even more than Hollywood stars. He laughs, saying she wrote him a whole novel instead of a simple answer. She shrugs—it’s just who she is.
But beneath the jokes, Mohan’s frustration shows. He confesses that he doesn’t understand Radhika. He didn’t even say much to her when she slapped Gungun, and he even gave her a first aid box. But today, at the bus stop, she didn’t even glance at him. Meera notices he’s bothered. Elsewhere, Yug sits with a bitter smile. He admits that all his madness is because of Manan. He picks up the family photo and rips Manan’s part out of it, taping only himself and Radhika together. “We look good without him,” he says. In his eyes, Manan and Mohan are both enemies. He vows to destroy them both for ruining his life. Back with Meera and Mohan, she confronts him again. She pulls out a sketchbook and flips it open. There, Mohan sees a drawing of Radhika—sketched from behind, just like how she always turns away. Meera asks if he’s still going to lie. He didn’t even see her face properly, yet he’s drawing her? And he wrote her name—Radhika. Meera points out that he used to sketch Radha, but now it’s Radhika. She reminds him: Radhika Kohli is married and has a child. Mohan is stunned silent.
Meanwhile, Yug throws darts at a photo of Manan pinned to a dartboard. He snarls that he loves Radhika deeply, wakes up to her face, and can’t live without her. Yet Manan keeps calling her “mother” and pulling her away. Yug says he’s going to drain the life out of him. Just as he throws another dart, Punam storms in and slaps him across the face. Back with Meera, she confronts Mohan again. He insists the sketch and thoughts were just from half an hour ago. Meera calmly replies that ever since he started talking to her, he’s only been seeing Radhika. He denies it, but she pulls him along, determined to show him the truth. Outside, Radhika walks toward her car, but something makes her stop. She looks at Mohan’s house, feeling emotional. She tells herself not to look back, but her heart wavers. Why is she still thinking about him, despite having a good family and a clear decision to leave the past behind? She remembers risking her life countless times in that house—and how they once tried to send her to a mental asylum, especially Kadambari. Her eyes settle on the empty wheelchair inside. She feels something’s off and decides to go in and find out what’s really happening. Quietly, Radhika slips inside Mohan’s house.
Back at Meera’s place, she spreads a bunch of photographs across the table and tells Mohan to look. “What do you see?” she asks. “Because all I see is you staring at her in every photo.” Then she plays a video of him dancing with Radhika at the party. “This isn’t the look of a stranger,” she says. “This is the look of someone who’s waited for years.” Meera says the way he danced—it didn’t feel like Radhika was Yug’s wife. It felt like she was his. Meera admits that for seven years she believed Radha would come back, and maybe she would take her place. But she was wrong—Radhika has taken that place. She tells Mohan that feelings can’t be controlled, no matter how much we try. She knows she can’t force him to love her. She’s Meera—not Radha—and she’ll remain just a friend. As a friend, she tells him clearly: Radhika is married, she has a child, and if he continues down this path, it could destroy two families. Love can unite, but it can also tear everything apart if it’s not supported by both sides. Inside Mohan’s house, Radhika tiptoes through the empty rooms, but something catches her attention. A shadow looms behind her—someone holding a knife. Alarmed, Radhika turns swiftly and grabs the attacker’s hand—only to find Kadambari staring straight at her with venom in her eyes. Both women are filled with rage. In a shocking moment, Radhika snatches the knife away and stabs Kadambari. Blood runs, and they both glare at each other in stunned silence as Kadambari wipes her face, unshaken.
Ketki accuses Radhika of coming to kill them, but Radhika boldly replies that she came to kill Kadambari. She warns Ketki to leave immediately, but Radhika makes it clear that instead, she’s giving them eight days to get out of the house. Meanwhile, Mohan wonders what connection he has with the child Manan. Radhika answers firmly that Yug accepted both her and her son, while Mohan—Manan’s biological father—abandoned them. Earlier, Radhika lashes out at Kadambari with a sharp slap, warning her not to make the mistake of underestimating her. She says she’s no longer the Radha who could be stabbed in the back so easily. Now, as Radhika Kholi, she has not just two but four eyes and can spot people like Kadambari from a mile away. She knows Kadambari was just pretending, which is why she deliberately knocked over the wheelchair. Radhika says she’s been watching Kadambari’s act for seven years, trying to hide her true self.
Kadambari smiles coldly, calling Radhika by her full name and admitting she only acts for her own benefit, no matter the consequences. She boasts that she’s managed to turn the entire family around so they wouldn’t have to see Radhika’s face again. But fate, she says, had other plans. That’s why Radha—her “black cloud”—has come back to haunt them all. Radha’s eyes fall on an old photo of Vishwaniyat with the Mala hanging nearby. She remembers how he always treated her like his own daughter and promised to protect her. He even told Mohan the truth about Kadambari and Damini, but no one believed him. With a heavy heart, Radhika apologizes to Vishwaniyat for not being able to save him. Filled with fury, she turns to Kadambari and accuses her of orchestrating whatever happened to Baba. She says Kadambari’s truth won’t stay hidden for long, and this time, she will make sure justice is served.
Kadambari scoffs that she can only be punished if she’s still alive, warning that Radhika has made a huge mistake by stepping into her life. Radhika fires back, reminding her that Kadambari always talks big but never follows through. She wasn’t able to hurt her when she was alone, but now she has her entire family standing behind her. Kadambari vows to destroy Radhika and her whole family, promising this time they will face each other as equals—and that no one will stop her from seizing the property. Radhika laughs, telling Kadambari she’s making a huge mistake. She isn’t Radha anymore; she’s Radhika Kholi. She doesn’t care what Kadambari plans, as she’s always been eager to destroy everyone around her. Radhika admits she’s about to say something harsh, but the money Kadambari spent her whole life chasing—living a criminal life even as a mother—was all donated by Radhika herself. Kadambari snaps that Radhika should just leave then, reminding her who she really is: the same Kadambari Devi who made her life a living hell and forced her to leave Mohan. She warns Radha to stay far away this time because the destruction that comes will be twice as bad. Radhika fires back, saying she remembers clearly—Kadambari took the life of her Tulsi ji and Baba and even tried to kill her Gungun. She vows to settle all scores. As a final warning, Radhika slowly pushes Kadambari’s wheelchair toward her. If Kadambari runs, it will be as if she’s been hit. Kadambari lunges to stab Radhika again but loses balance and falls against a vase.
Their voices ring through the house. Ketki, Ajeet, and Gungun rush over, shocked to see Kadambari on the floor. Gungun runs to her grandmother’s side while Ketki and Ajeet help her back into the wheelchair. Ketki notices the knife in Radhika’s hand and demands to know what she was doing—did she come to kill her mother? Radhika throws the knife aside, denying that she came to kill her. She admits only to slapping her. Elsewhere, Yug wonders who could slap so fiercely, especially since Kadambari is his own mother. Punam tells him to behave, but he just smiles and pulls out a syringe, making her nervous. Yug assures her it’s harmless and asks if she’s scared. He says how could he kill her when she’s his mother? He asks if she trusts him and warns Punam not to take Manan’s side or he won’t joke around anymore. Punam pleads with him to understand that Manan isn’t to blame. Yug replies coldly that Manan’s just a child, but he’s not the father.
Meera reminds Mohan that love doesn’t just bring two people together—it connects whole families. If even one family isn’t supportive, love can tear families apart. She storms out in frustration, leaving Mohan to wonder why he feels such a strange connection not only to Radhika but also to her son. He remembers moments with Manan—the time he picked him up from the mandir promising to talk to his mother, teaching him to ride a bike, even saving him from a falling vase. Mohan insists he has no relation to Manan but can’t explain why he feels so deeply connected to the boy, even feeling tears when he sees him upset. Radhika explains to Ketki that Kadambari was coming to kill her. Ketki can’t believe it—how could her paralyzed mother move? Radhika insists Kadambari’s faking it to fool them all. She demands Ketki listen carefully—how else could someone so heavy be thrown from a wheelchair? Ketki demands that Radhika leave the house, but Radhika angrily refuses. She says she isn’t going anywhere. Instead, they will all have to leave. She’s fought hard to build her life here, but they keep coming and demanding she leave. She vows she will stay and that they will have to go. She gives them eight days to clear out and warns she won’t tolerate seeing their faces once she returns from Barsana with Manan. If they are still here, and if Ketki’s brother or Gungun’s father sees them, it will be their problem—and the destruction won’t be pretty.
As Radhika turns to leave, Ajeet stops her. He says he thought some part of Radha would still be in her—a little heart, some place for Mohan. He admits he once believed that since she and Mohan separated seven years ago, Manan must be Mohan’s son. Radhika snaps at him to shut up. Ajeet is shocked. She says only someone as worthless as him could imagine such a thing. Manan is her son and Yug’s, and Mohan has no relation to him. She warns Ajeet to think a hundred times before spreading such lies or there will be consequences. She storms off, leaving everyone stunned, and Ajeet heartbroken. Radhika runs inside and collapses in the sitting area, tears streaming. She questions why this is happening to her. Why now? She clutches a keychain, wondering why fate is forcing her into all this. She thought she had left Mohan and her past behind with great struggle, yet he’s been dragged back into her life so easily. She feels all her years of hard work have been wasted, and she’s ashamed of the lie she told today about Manan’s birth. She said Manan was her son with Yug, but the truth is he is the fruit of her love with Mohan—the very symbol of their bond.
She remembers asking Yug why they pretended the child was his. Yug told her it was because he loved her so much that he didn’t want anyone to question Manan’s place in her life. Yug explained that a child doesn’t just need the father’s name, but can live with the mother’s name alone. He wanted to give Manan his name because he himself longed to be a father. Radhika confessed she wasn’t ready for that kind of love, that she might never be, and Yug promised to wait for her as long as it took—even a lifetime. He took responsibility for both her and the child, believing no one could stop Radhika from becoming his wife. Tears fall down her cheeks. Yug confides to Punam that Manan is the barrier between him and Radhika. He admits they married because of him, but now Manan is causing the distance. He says if a snake ever came into their home, they’d throw it out—and that snake is Manan. “Radhika is my home,” he says, “so I have to get rid of the snake.”
Radhika stands at a crossroads, torn. On one side is Yug, who has loved her son like his own and given her a new life. On the other side is Mohan, the biological father of Manan. She wonders helplessly what Ba Kai Bihari jee has done to her fate.